
The subject of The Language Police is censorship -- a formal,
pervasive system of censorship that warps the content of schoolbooks,
state-sponsored tests, and other educational products until they have
little connection with the real world. The information in The
Language Police helps to explain why many students find their
curricula and schoolbooks irrelevant and uninteresting, and it
explains, in part, the disturbing spectacle that we see in many parts
of the United States: While the cost of public education rises higher
and higher, the quality of that education continues to be low. What
you will read in The Language Police should infuriate you, and
it may even make you want to scream. Go ahead! I did.
Why has The Language Police upset me so? Because Ravitch has
laid bare "an elaborate, well-established protocol of beneficent
censorship, quietly endorsed and broadly implemented by textbook
publishers, testing agencies, professional associations, states, and
the federal government" that steadily and stealthily reduces
schoolbooks to packages of pabulum. The arbiters of political
correctness on the left have joined with the fundamentalist guardians
of morality on the right to foster a censorship apparatus that serves
the political and social agendas of both, scorns the interests of
students, and ensures that students will not be exposed to anything
that might bother anyone, anywhere, for any reason.
Ravitch has given the name "the language police" to the pressure
groups that exploit this apparatus and the censors that run it.
The NAGB had been charged with creating questions for use in a broad
program of national educational testing, and Ravitch was assigned to a
committee whose job was to choose written passages that would test
4th-graders' reading and reading-comprehension skills. The committee
did its work, but some passages which the committee approved were
later excluded by the corporation that had been hired to put the 4th-grade
reading tests together. Why? Because those passages had been
condemned by the corporation's "bias and sensitivity review" panel.
When Ravitch and the other members of the NAGB's 4th-grade committee
obtained copies of the "bias and sensitivity review" panel's
judgments, they saw things that astounded them. For example:
These cases, along with others like them, provided Ravitch's
introduction to "bias and sensitivity review."
In that odd world, everybody is normal, and nobody is old or elderly,
because the language police have abolished the words abnormal,
old and elderly. That odd world doesn't have any
lumberjacks or gypsies or pagans or tribesmen or jungles, nor does it
have a Middle East, because the language police have banned the terms
lumberjack, gypsy, pagan, tribesman, jungle and Middle
East. Likewise, it doesn't have any cowboys, draftsmen, dwarfs,
diabetics, fanatics, hordes, horsemen, huts, illegal aliens, lunatics,
masterpieces, midgets, snow balls, snowmen, waitresses or yachts.
Indeed, it lacks thousands of things that are common in the real world
and that appear every day in the real world's books, news media, and
entertainment media.
"Some of this censorship is trivial," Ravitch writes, "some is
ludicrous, and some is breathtaking in its power to dumb down what
children learn in school."
When this system of censorship began to take shape, it was justified
as way to ensure that educational materials would be free of language
and images that were "racist" or "sexist" or "elitist," whatever those
terms may have meant. Since then, it has expanded to include bizarre
systems of "sensitivity reviews" and "bias reviews" that embody
unfathomable notions of what is "racist" or "sexist," along with a
deranged concept of what is "elitist." No matter how your dictionary
may define elitist or elitism, the language police have
decided that elitism simply means material wealth, and that
students must not see words or phrases -- such as yacht, polo, junk
bonds, cotillion or regatta -- that are associated with the
lifestyles of people who are rich. This is part of a larger effort to
protect students from the "bias" that they would experience if they
had to read about people who were different from themselves, or about
things that weren't already familiar to them.
In The Language Police, Ravitch focuses on how censorship
affects "readers" (books that are used in teaching youngsters how to
read), literature anthologies, and history books.
The language police force the writers and editors of textbooks to avoid
so many topics that the books are disconnected from the real world
that students experience every day. The characters in schoolbook
stories must not speak in dialects, ponder suicide, face fire hazards
or have poor eating habits. No one is allowed to encounter scorpions,
rats, roaches or any other animals that anyone, anywhere might regard
as scary or dirty. No one ever exhibits disrespectful or illegal
behavior. No one steals, smokes, drinks alcohol, gets into fights, or
tells lies. No one talks about politics, religion, unemployment,
weapons, violence, child abuse, or animal abuse. Real life doesn't
intrude.
There is much more. Stories involving fantasy or magic are
forbidden. So are stories set in prehistoric times, because such
stories suggest organic evolution. So are stories about birthday
parties, which are outlawed because some people don't celebrate
birthdays. And even if a birthday party crept into a story, no one at
the party would be able to eat the cake: Foods such as cake, candy,
French fries or soft drinks have been prohibited in favor of more
healthful items like dried beans, yogurt, and whole-grain breads.
Real life doesn't intrude.
Do you want more? Then consider some of the rules that the
publishers follow to generate "representational fairness."
Schoolbooks and other instructional materials must have equal numbers
of males and females in illustrations and in written passages, and the
males and females must perform the same or comparable activities. (In
answer to your question: Yes, pressure groups do take inventory!)
Women cannot be portrayed as stay-at-home mothers and caregivers,
because such images are "gender stereotypes" that anger radical
feminists. Old persons must not be portrayed as feeble or sick,
because those are "age stereotypes." Nor can old folks engage in
sedentary activities like fishing or baking; they must go jogging or
repair roofs. Real life doesn't intrude.
There are rules that govern English usage, too. The feminine
pronouns must not be used for referring to countries or ships, and
humans must not be compared to other animals. (The boxer Mohammed Ali
said that he could float like a butterfly and sting like a bee, but
his famous boast couldn't appear in a schoolbook.) And any animal
other than a human must be designated by the pronoun it, not by
he or she. (Imagine trying to read a description of the
courtship ritual of a pair of birds, with both the male and the
female designated as "it." How could you know who was doing what to
whom?)
Schoolbooks that conform to rules devised by the language police are
bland, boring, replete with simplistic social, political and
religious messages, and stripped of nearly everything that is
colorful or that might provoke thought. All that remains is insipid
pap. In the real world, Ravitch reminds us, students are exposed
continually to powerful stimuli supplied by television, pop music,
films, videos and the Internet, as well as the unconstrained language
of their peers -- but their sterilized schoolbooks are unable to
stimulate anyone. It's no wonder that students show indifference and
contempt toward the materials that are presented to them at school!
Each schoolbook company keeps track of the demands made by pressure
groups, supplements them with guesses about demands that the pressure
groups may make in the future, and supplements them further with lists
of words, phrases, usages, and concepts that have been attacked during
schoolbook-adoption proceedings conducted by state governments [note 3]. The items compiled
during this process are organized into a set of guidelines
for sanitizing what students will read, and the guidelines are used by
the company's internal censors, who have been trained to delete or
replace or revise anything that might be considered controversial.
The goal of this self-censorship, this "pre-emptive capitulation," is
to ensure that the company's books will not contain anything that
might upset any student, disturb any parent, cause any trouble during
any state's adoption process, or result in the loss of a sale. In
other words, the goal of self-censorship is to protect the company's
bottom line.
Ravitch tells that publishers generally have allowed right-wing
pressure groups to control topics and content. These groups want
schoolbooks to reflect their idealized vision of the past -- an
imaginary past in which all families were happy because they had a
strong father, a nurturing mother, obedient children, and a firm
religious foundation. Crime, violence, divorce, abortion, and
homosexuality did not exist in that fantasy-past, so they must never
appear in any schoolbooks.
Leftist pressure groups generally hold the power to control
vocabulary, to outlaw words and phrases, and to choose the words,
phrases, and modes of usage that will be deemed politically correct.
The demands made by leftist groups revolve around their vision of a
utopian future in which egalitarianism prevails in all social
relationships. Ravitch writes:
Ravitch obtained sets of self-censorship guidelines that had been
devised by some schoolbook companies, by some state agencies, and by
such organizations as the Association of Education Publishers and the
Educational Testing Service. From these, she generated an appendix,
titled "Glossary of Banned Words, Usages, Stereotypes and Topics,"
which covers pages 183 through 218 of the paperback edition of The
Language Police. Read it. And be prepared to feel your jaw drop
and your stomach turn.
As it happens, the lists of words and phrases that writers of
instructional materials must avoid include some personal favorites of
mine: fisherman, fireman, brotherhood, mankind, bookworm, actress,
devil, Eskimo, Sioux, fellowship, senile, freshman, coed, tomboy, soul
food, snow cone, Navajo and waitress. If I were to write
my autobiography, I would use about a dozen of those words in
describing myself at various stages of my life, or in describing
events that I experienced. Of course, my autobiography would never be
chosen by a schoolbook company for use in an anthology.
Or maybe it would. Schoolbook companies regularly (and often
secretly) sanitize stories and essays that they want to include in
anthologies, so maybe some company would take my autobiography, delete
any banned words, and replace them with words that the language police
permit to be used.
In the category of censorship that is "breathtaking" in its power to
deprive children of opportunities to learn, the long campaign to
outlaw Mark Twain's Adventures of Huckleberry Finn is
especially disturbing. Ravitch reminds us that since the 1950s, this
book has been the leading target of leftists, who revile Twain's
repeated use of the word nigger and to his portrayal of Jim,
the runaway slave. In school districts throughout the United States,
left-wing pressure groups have demanded that Huckleberry Finn
be thrown out of school libraries and banned from classrooms.
Ravitch says no. She points out, first, that Huckleberry
Finn is central to modern American literature and, second, that
Twain was one of the most powerful voices of his age in opposing
racism and social injustice. "Teachers and students alike," she
asserts, "must learn to grapple with this novel, which they cannot do
unless they read it." And they must read it as Twain wrote it -- not
in some bowdlerized, antihistorical version which uses words like
slave or servant or hand as substitutes for
nigger.
Because the editors of literature anthologies are very tightly
restricted by pressure-group demands, "bias" rules and "fairness"
rules, they must give much of their attention to ensuring that the
authors and the literary characters who appear in their anthologies
include proper numbers of males, females, representatives of certain
races, and representatives of certain ethnic types; this matters
more than does the literary quality of the anthologized material. As
a result, many great works that we have regarded as elements of our
literary heritage have disappeared, quietly and inevitably, from our
schools.
Surveying history texts issued in the late 1990s, Ravitch finds that
their only coherent narrative is based on "cultural equivalence" --
the dogma that all of the world's civilizations have been great,
glorious, sophisticated and highly developed, that all of them have
produced grand cultural and material achievements, and that no society
has been more advanced or less advanced than any other.
To show how the "cultural equivalence" dogma is reflected in history
textbooks, Ravitch tells us how some American Indians are glorified in a
high-school text issued by Glencoe/McGraw-Hill:
Then Ravitch makes these comments:
The last of those questions has a straightforward answer:
no. Glencoe/McGraw-Hill's claim is false. Taller buildings
had existed in ancient Rome, and medieval Europeans had built
cathedrals that were even taller.
Ravitch then turns to a tallest-building claim that she found in
World History: Connections to Today, a high-school text
published by the Prentice Hall division of Pearson Education:
I would add a fourth suggestion: Every teacher, every school
administrator, every school-board member, and every citizen who cares
about the quality of education in this country should read The
Language Police. They might not like what they find in Diane
Ravitch's book, but they will no longer be ignorant. And censorship
will lose its strongest protection.
Notes
Anne C. Westwater has retired after an extensive career in science
education, including some fifteen years as a teacher of biology,
earth science and environmental science at Napa High School (in Napa,
California).
A good publication for your professional library
The Language Police
How Pressure Groups Restrict What Students
Learn
by Diane Ravitch. Paperback edition, 2004. 271 pages. ISBN:
1-4000-
3064-1.
Vintage Books, 1745 Broadway, New York City, New York 10019.
Get This Alarming Book Just as Soon as You Can
Anne C. Westwater
Are you an educator? An educator-in-training? A member of a school
board? A parent of a public-school student? A journalist who reports
on educational affairs? A citizen who wonders why public education in
this country has degenerated so badly? If you are any of those, I
strongly suggest that you read Diane Ravitch's book The Language
Police just as soon as you can get a copy of it. Getting a copy
will be easy, because Vintage Books has issued a paperback edition
priced at $13.00.
Say Hello to "Bias and Sensitivity Review"
A Grossly Fictitious World
Controlling Both Content and Vocabulary
How Publishers Censor Themselves
Complementary Spheres of Influence
In this vision, there is no dominant group, no
dominant father, no dominant race, and no dominant gender. In this
world, youth is not an advantage, and disability is not a
disadvantage. There is no hierarchy of better or worse; all nations
and all cultures are of equal accomplishment and value. All
individuals and groups share equally in the roles, rewards and
activities of society. In this world to be, everyone has high self-esteem,
eats healthful foods, exercises, and enjoys being different. .
. . [Pressure groups on the left] want children to read only
descriptions of the world as they think it should be in order to help
bring this new world into being.
The Dogma of "Cultural Equivalence"
For example, American Odyssey: The United States in
the Twentieth Century describes the Anasazi Indians in mythical
terms. The Anasazi lived in the southwest from about 900 to 1300,
when they abandoned their homes. There is no attempt to explain how
they influenced the United States, which was not established until
nearly five hundred years after the Anasazi disappeared. The text
implies that the Anasazi were far wiser than we, who think of
ourselves as advanced. The Anasazi "fostered an egalitarian culture
in which people functioned as equals. Without kings, chiefs, or other
official authority figures to compel cooperation, members of Anasazi
farming villages built dams, reservoirs, and irrigation systems," as
well as four hundred miles of "roads and broad avenues." Because they
had "leisure" and "prosperity," they produced "beautiful baskets and
pottery, but their greatest creativity flowered in architecture." The
book praises the Anasazi's multistoried "apartment complexes" and
says: "Until a larger apartment building went up in New York City in
1882, the size of this Anasazi building of the tenth century remained
unsurpassed in the world."
It is worth recalling that the Anasazi were a
prehistoric people who left no written records. How does the author
know that they had no kings, chiefs, or other authority figures? Is
it credible that a prehistoric civilization constructed roads, dams,
and large dwellings with no one in charge? Were Anasazi structures
really taller than any other building in the ancient or medieval
world?
[The Prentice Hall book] claims that "the Mayan
pyramids remained the tallest structures in the Americas until 1903,
when the Flatiron building, a skyscraper, was built in New York City."
Since no text gives the height of any of these structures, it's
anyone's guess which claim is right or why it
matters.
Strategies for Ending This Crisis
